
President Donald Trump has been branded ‘delusional’ by main movie professionals in the UK following his proposal of a ‘100% tariff’ on non-US motion pictures, in a bid to ‘make Hollywood great again’.
Meanwhile, movie followers have been left to fret over what it may imply for the way forward for anticipated releases like the subsequent James Bond movie, with the franchise now fully in the hands of American owners Amazon, who may shift manufacturing away from the UK to keep away from a possible ruinous further invoice of lots of of hundreds of thousands of {dollars}.
The US chief, 78, boldly introduced on Truth Social on Sunday evening that he had authorised authorities departments to impose tariffs ‘on any and all movies coming into our country that are produced in foreign lands’.
‘The movie industry in America is DYING a very fast death,’ he claimed, saying Hollywood was being ‘devastated’ by incentives provided by different nations to produce movies there – one thing he labeled as a ‘national security threat’.
Details have remained scarce over what this truly means and the way any potential tariffs would even be carried out, though Trump has already appeared to stroll again his strategy by insisting he’s ‘not looking to hurt the industry’ and can meet with Hollywood leaders to guarantee ‘they’re joyful’ together with his plans.
The UK movie sector is doubtlessly a serious sufferer of those – possible catastrophic – proposed tariffs.


It’s value £1.36billion and employs greater than 195,000 folks, in accordance to the authorities in 2024 – many of those employees may have contributed to huge Hollywood movies not too long ago made right here, like blockbuster Barbie, musical Wicked and the upcoming Mission: Impossible – The Final Reckoning.
While it’s unlikely any tariffs may very well be imposed in time to have an effect on Mission: Impossible’s launch later this month, they may definitely put a substantial dent in franchise producer and star Tom Cruise’s long-standing working relationship with the UK – for which he’s being awarded a BFI Fellowship – if the price immediately doubles.
He was even requested about it on Thursday throughout a press occasion in Seoul for the upcoming film, however the Hollywood stalwart firmly shut down any hypothesis after a reporter requested outright if this movie was ‘under tariff’ and the way a lot of it had been shot abroad.

‘We’d fairly reply questions on the film. Thank you,’ he responded firmly, which the moderator stated she thought that was a ‘fair answer’, earlier than transferring onto the subsequent query.
Meanwhile Wicked: For Good – which shot solely in the UK – shouldn’t be out till November, so will it and Universal Pictures retroactively be punished for that call to the tune of 100% added on in astronomical new prices? (And would they classify the back-to-back shoot of each elements as one manufacturing/film, so the full finances was tariff-able?)
It’s arduous to predict the full impression but with none specifics, which has business experts exasperated.
For starters, how may the tariffs even be levied given ‘films are a service industry that result in intellectual property, not a physical good’, identified Eugenio Triana, course director for Birmingham City University’s MA Film Distribution and Marketing.

Speculating on how they may impression movie followers in US cinemas, he added to Metro: ‘Would they make ticket prices be more expensive, since almost all Hollywood films have some portion shot outside the US? I don’t see how this could be useful to the US client, however my understanding of how the tariffs would work is unclear.’
As Emmanuel Anyiam-Osigwe, founding father of the British Urban Film Festival recommended, Trump is treating films just like he has trading physical products in ‘trying to boost American-made movies by making imported ones way more expensive’.
‘It might mean more money goes into Hollywood, but it could also mean fewer international films showing up in US cinemas. That’s a disgrace, as a result of a few of the finest tales and expertise come from throughout the world,’ he noticed.

The undeniable fact that filmmaking is such a world, collaborative enterprise now can be a serious stumbling block for Trump’s tariffs – carried out in an try to return motion pictures to being a ‘largely national US-based industry’ like Hollywood’s heyday a century in the past – a number of experts argued.
‘The film industry just doesn’t work like that anymore, and with funding, assets and crew so internationally unfold out I don’t even see how you’ll start to apply a tariff system,’ Peter Spence, Sheffield Hallam University’s senior lecturer in Film, instructed Metro.
Spence dismissed tariffs as ‘a very blunt instrument’ in reaching any type of profitable final result for Hollywood, whereas additionally elevating a key concern baffling many: how do you even outline if (and to what diploma) a movie was ‘made in a foreign land’ anyway?
‘The British Film Institute operate a points-based system to determine if a film is British based not only on tangibles like nationality of director, cast, crew and filming locations, but also how British culture, heritage and identity is portrayed in the film’s narrative by means of its characters, storylines and dialogue,’ Spence defined.
Films which may very well be impacted by Trump’s ‘100% tariff’ on international motion pictures
- Mission: Impossible – The Final Reckoning (May 21) – whereas unlikely Trump can transfer swiftly sufficient with any tariffs to impression this launch, Tom Cruise has an extended and profitable partnership with the UK movie business the president may be trying to disrupt
- F1 (June 25) – the upcoming driving drama, starring Brad Pitt and Damson Idris, filmed a piece of its scenes at Silverstone and different UK spots, amongst different nations together with Italy, the Netherlands, Abu Dhabi, and Belgium
- Jurassic World Rebirth (July 2) – the Jurassic Park/World franchise has made its principal filming dwelling the UK since Jurassic World: Fallen Kingdom (2018) and its 2022 follow-up Jurassic World Dominion. The identical applies for its subsequent sequel, stomping into cinemas this summer season
- Wicked: For Good (November 21) – each elements of the Wicked film adaptation filmed solely in the UK, so if there’s any type of retroactive/pre-release implementation of tariffs then Universal Pictures may very well be in for a 100% price improve
- Avengers: Doomsday (May 2026) – at present filming at Pinewood Studios, the place Disney has a number of tons on everlasting mortgage, may the movie anticipated to ‘save’ Marvel with the Russo Brothers return and a star-studded forged the truth is lead to its monetary smash? Its finances (with out tariffs) is projected to be in the area of $450m
- The Beatles – A Four-Film Cinematic Event (April 2028) – we’ve acquired a British and Irish forged and group telling a distinctly British story with this four-part biopic, every instructed from a unique Beatle’s perspective. But will they make it over to the US ever with 4 doable a lot of tariffs to pay in a single go?
- New James Bond (TBC) – there are only a few confirmed particulars but, however US entity Amazon MGM Studios now has inventive management with producing duties break up between Amy Pascal (American, Spider-Man) and David Heyman (British, Harry Potter). Could doable spiraling prices impression on 007’s distinct – and genuine – Britishness?
‘For occasion, Saltburn couldn’t be more British when it comes to content material – however the financing was all American so can we actually name it a ‘British film’?’
Andrew Hill, director of branded content material at Apostle Studios – who labored alongside Trump as a producer on the US model of The Apprentice – additionally raised this level as he blasted his former colleague’s strategy as ‘delusional’ and noticed that ‘Donald Trump must really hate Hollywood’.
‘What makes a movie ‘foreign’? Where it’s shot? Who funds it? The director’s passport? Take an American script, shoot it at Pinewood with a German crew and French cash… is that ‘foreign’?’ he requested Metro.
Acknowledging that Hollywood movies ‘are global by default’ he stated Trump’s plan to slap tariffs on non-US movies ‘isn’t protectionist, it’s delusional’ as a result of it wouldn’t repair the actual downside.

‘Hollywood is just too expensive. High union costs, pricey real estate, rigid hierarchies – none of that changes with tariffs. If Trump wants more movies made in LA, he’d be higher off copying the UK, Hungary or Australia and providing tax incentives,’ he recommended.
Film and TV lawyer Juliane Althoff, associate at Simkins LLP, additionally warned that the proposed US tariffs may ‘provoke retaliation from other countries’, main to ‘higher barriers for American films’ in Europe and China which might then ‘threaten Hollywood’s dominance at the international field workplace’.
So, a serious potential backfire then for the American movie business – one thing echoed by Sarah Purser, founding father of Little White Rose Films, who sees the tariffs ‘hurting both sides’.
‘If President Trump were to make it more expensive for Hollywood to shoot abroad, it could disrupt the UK’s thriving movie economic system – but it surely wouldn’t magically carry jobs again to LA. Tariffs wouldn’t change the undeniable fact that the UK presents prime tier expertise and amenities at decrease price,’ she argued to Metro.


(Picture: Sony UK)
Instead, Purser sees tariffs forcing studios to ‘cut back or get more selective’, with mid-budget movies (already a rarity these days) and experimental work ‘squeezed hardest’.
The producer has an workplace at Pinewood Studios, the place she stated of the present temper: ‘There’s positively concern, but additionally quiet confidence – the high quality of labor right here speaks for itself and President Trump has been recognized to backpedal.’
‘Big-budget films today rely on international collaboration. You need the best talent, wherever they are, to deliver world-class results,’ agreed Joseph Steel. ‘The UK has been at the heart of that with films like Barbie, Mission: Impossible, Venom: Let There Be Carnage, Napoleon and Paddington in Peru all either shot or heavily produced and post-produced here.’
His VFX firm Visualskies labored on the latter three movies, and he praised the UK movie business – regardless of the strain it’s nonetheless beneath because it continues to get better from the 2023 actors’ strike – for providing a novel mixture of ‘cutting-edge studios, highly skilled crews, competitive costs and strong tax incentives’.

But if the US ‘shuts that out’, he sees manufacturing prices hovering and earnings being decreased with ‘fewer tentpole blockbusters’ because of this – though he truly predicts the surprising bonus of ‘more high-quality indie films stepping into the spotlight’.
An government producer on Michael Mann’s movie Ferrari was, in distinction, joyful to present a extra ‘contrarian’ view as he slammed California’s management for ‘lacking common sense’ and agreed with Trump’s motives.
‘This is stunningly and painfully obviously to anyone who lives in Los Angeles,’ DC Cassidy, managing associate at Interstellar Entertainment, added to Metro, observing that the UK in distinction ‘has built one of the smartest creative economies in the world’ thanks to its tax incentives.
Cassidy defended Trump’s place as ‘not anti-global’ whereas sharing sympathy with the President’s view – if not the manner he’s selecting to doubtlessly impose it.

‘Trump’s message is easy: “We don’t need fancy degrees. We need leaders with common sense.” And on this case – he’s proper. The UK applies frequent sense to movie, California doesn’t. One is gaining floor, the different is dropping it. This isn’t about tariffs. It’s about accountability.’
There’s been preventing talk too from politicians, with Liberal Democrat chief Sir Ed Davey vowing at Prime Minister’s Questions on Wednesday that if Trump ‘picks a fight with James Bond, Bridget Jones and Paddington Bear he will lose’.
The UK movie business and Hollywood each wait on excessive alert to see in the event that they’ll be any battle in any respect.
A model of this piece was first revealed on May 8, 2025.
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